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13. Interview with Johan vanParys
(Part 1)
Interview
with Johan vanParys, Director of Worship
Basilica of St. Mary (Minneapolis),
6 November from 10.30 am.
Amy led, Greg scribed
FF: Basically,
we have three questions today. The first question is about you personally,
how you got involved in the Basilica, and a little bit of your life story
and how the story of the Basilica and yours intersected with each other,
and what it is you do here and how you are part of what happens here.
The second question is about the value of the ministry that the Basilica
is doing, primarily with young adults because that's our focus here, and
how that works out in the community here surrounding and the broader community
of the Twin Cities. And then the big question for us is what is the genius
behind what happens here. Do you want to start by just telling a little
about yourself?
Sure. I was born in Belgium. I am part of a very Catholic family. At
this moment however I am the only one still practicing. They are not part
of the church except for baptism, marriage. Life cycle Christians. I was
very much involved with the church most of my life. As a teenager my brother
and I went to all sorts of youth rallies, hurrah for Jesus things, jazz
masses and that sort of thing. Which now I look at and think 'how could
I ever do that?' But we did and it gave us life I suppose. I went to Seminary
and my brother went to a state university, and we took different paths.
He completely removed himself from the Catholic Church, whereas it drove
me closer into the Catholic Church. I spent two years in Seminary and
then left Seminary and spent five years in a Benedictine abbey while going
to the Catholic university of Louvain in Belgium and studying archaeology
and art history. I finished that and I was very much interested in the
Middle Ages, and thought the Middle Ages, religion and art are so intertwined
in western Europe that I wanted to learn more about the religion behind
the arts, the archaeology. Now I wanted religion so I started studying
comparative religious studies with emphasis on the Middle Ages. My dissertation
topic for art history was 15th century _______ missal which brought me
to the intersection of liturgy and art. Those have become my two mains
areas of interest, and where I feel very comfortable. I feel quite informed
in those areas and in the intersection of those two areas. After I finished
my degrees in Louvain I decided I wasn't quite done yet so I would go
and really pursue liturgy and I went to the University of Notre Dame in
Indiana. That's where I got my doctorate in theology with a concentration
in liturgy. My dissertation was on new trends in baptismal architecture,
again trying to look at anthropology, sociology of water and how that
works with theology and architecture and art. When I finished my course
work I started to work for the Center for Liturgy at Notre Dame, and got
sent out throughout the country to do workshops and consultations with
parishes and dioceses, particularly concentrating on art and religion.
My position there was associate director for art and architecture for
worship. When there were job cuts coming around, of course the position
that pertains to art is one of the first ones to go, so mine was cut.
Somehow at the very same time I got a phone call from this place asking
if I'd be interested in applying for a job and head over here. I and thought
'no', because I intended to spend my life in academic work. I'd never
done anything except academic work and I didn't think it would be a good
fit for the Basilica and myself. But I had two friends here who said 'you
know, just humor us, just come here'. So I came here for an interview
and I was very much impressed by the place, and I thought, well, maybe
God is calling me to do this. So I did apply and I was offered the position
and then accepted it. That was six years ago.
FF: It sounds like
your gifts and what the Basilica wanted from you have been a good match.
Has that proved to be true?
Yes, it has. I'm much better at pastoral work than I ever thought I would
be and the parish is much more of an academically inspiring place than
I thought it might be. Our congregation is highly educated and expects
well thought out speech and activities. So that works well. Plus I continue
to lecture with seminaries and for dioceses. I do consultations still
as well around the country so I've kept that aspect going too. My ideal
position would be where I can teach on a regular basis at a Seminary and
keep my foot in parish work as well. But for now this is great.
FF: From talking
to people, liturgy is a big part of what happens here at the Basilica.
We went to worship and just from talking to people who are doing programmatic
stuff - like George doing RCIA and Janel and Father Michael - all have
said that liturgy is the center of what happens here. How does that work
for you, how does that play out?
The Second Vatican Council, one of the documents, Sacro Sanctum ________
was the first document promulgated by the Council, which was a document
on the liturgy. Paragraph 10 or 11 speaks about celebration of Eucharist
and to paraphrase it, the celebration of the Eucharist is the source and
summit of everything the Christian community does. And I think that's
not just a fleeting statement, I think it's one of the most essential
statements in that whole document, because it speaks of the Eucharist
as the heart, where everything begins and where everything ends. I really
believe that and I think we have been able to cause the parish and the
staff to embrace that. Over the course of the years that I have been here
we have seen how in our faith formation we have moved from catechesis
to lectionary-based catechesis to liturgy-based catechesis. We have moved
to the liturgy being the central part. If you look at our mission statement
the first point speaks of how we are committed to quality liturgy, faith
formation and pastoral care. But liturgy is the first. And we also commit
quite a bit of our resources - be that personnel, financial resources,
volunteer resources - to the liturgy.
FF: How do you
see liturgy impacting other things like pastoral care and faith formation?
It seems to me there's a connection there. Can you flesh that out a little
bit?
I'm often asked 'what is good liturgy?' And at first one would be tempted
to say good liturgy is when you have a good presider who gives a good
sermon, when you have a good choir with great music, when you have vestments
that are top quality, when you have an environment that is great, when
the church is beautiful, when the bells ring before and after. You know,
all these criteria. And all of them are very important of course, but
I think good liturgy happens when this happens. A couple of years ago
WCCO came and did something like what you're doing right now. I think
maybe you should watch that video because they were very enamored with
why should all these young people flock to the Basilica. So they came
and I talked at great length with the people who were producing the program.
Ultimately I was not really satisfied with their answer. There was no
answer really, except for maybe that everybody who comes here recognizes
themselves, at least in part, in somebody else. So they really emphasized
the diversity of this community. That no one really ought to feel as a
stranger because there's always somebody who partially looks like them,
who partially sounds like them, who partially walks like them, dresses
like them. A couple of years later Mother Teresa died. I was still searching
for why, you know, what is good liturgy, why do people come here? The
television stations did stories on Mother Teresa, and one of the stations
went to the people who live under the bridge, our neighbors, and asked
them 'Who to you is Mother Teresa?' They said Janice Anderson, who is
our director of social outreach and the Basilica of Saint Mary. Good liturgy
happens when it's not inward navel-gazing activity. Good liturgy happens
when it is outward and sends people into world to be Christ to the world.
Last night I did a talk on celebration of the Eucharist. Catholics are
so tempted to give great respect to Christ present in the Eucharist. In
the Word proclaimed, in the people gathered, the presider, but above all
in the sacred bread and wine, the blessed Sacrament. And I told them this
story, that one year it was the feast of Corpus Christi, where we above
all celebrate the body and blood of Christ, and we had no priest here,
so we couldn't really do a Mass, which is quite wrong. But it gave me
the occasion to do what I had always wanted to do, which was get into
the pulpit and yell out 'You are the body of Christ'. So the presentation
last night about the celebration of the Eucharist really became a talk
about how we are called to be Eucharist to the world, to be the body of
Christ to the world for the salvation of the world.
FF: So faith formation
is a part of that, learning to understand that?
Yes. I believe that liturgy is this. I have two operative actions. The
first action is that every time we worship we get a glimpse of the heavenly
worship. Every time we sit at the table of the Lord we get a glimpse of
what the table of the Lord will be in heaven. 'On this holy mountain the
Lord will provide a banquet of rich food and of choice wine' - from the
book of wisdom, from Isaiah. That vision really inspires me to really
look at liturgy as a foreshadowing of the heavenly. So every time we are
touched by worship we get a glimpse. The second axiom is that obviously
this heavenly Jerusalem has not completely arrived yet. In the liturgy
we are formed, rehearsed I think is a good word, in patterns of behavior
and thought patterns which make us more like Christ every time, Sunday
after Sunday after Sunday. And this will help to hasten the coming of
the end times, the conclusion of the promise. I look at the liturgy as
the hands of a potter, and we are the clay. Sunday after Sunday we are
molded into the image of Christ, into the body of Christ, so that we can
be Christ to the world. So, what we are trying to do in the liturgy is
then lived out in the world and talked about in our faith formation. There
are two pillars to parish life - there is the spiritual pillar and the
temporal. Obviously we need to be concerned about being able to pay the
bills, that sort of thing. Then the spiritual pillar, which is the one
I am more familiar with. And that spiritual pillar has three aspects -
I call it the spiritual triangle. It consists of worship, of education,
and of Christian life. We worship in order to be molded into who we need
to be. We are educated in order to understand who we need to be. And the
Christian life is being sent into the world in order to be who we need
to be. So those three pillars work together constantly but I think the
driving force and the heart of it all is worship. I think one of the successes
of this place
when we have new member dinners we ask them 'Why
have you become a member?' And we keep growing, and here now we are 5200
households. We thought we would level off at 5000 but we keep growing.
They say, and I'm sort of generalizing, but they say three things. First
of all they are attracted by the building, because it looks like a church.
The second is, once we are in the building we are just enamored by worship
and we keep coming back, because it's not just worship for worship's sake,
but because it calls us and causes us to make a difference in the world.
Now, with regard to this building, to some it is just an architectural
piece, but I am a consultant to a parish in Wisconsin and they are trying
to figure out whether they should build a new church. They had basically
decided yes, until September 11 came around and we have had to and are
rethinking what we need to do. But I told them the story a couple of weeks
ago of this church. Archbishop Ireland in the early parts of century decided
he was going to build two churches - one in St. Paul to seat 3000, and
then one in Minneapolis as well. It's uncertain why he wanted to build
this church, but gossiping tongues say that St. Paul was already a bastion
of Catholicism whereas Minneapolis was rather a bastion of Lutheranism.
Those gossiping tongues say that maybe he thought that if he built a monument
to Catholicism in Minneapolis that Catholicism would grow there. Whether
that's the case or not, I think what he did build was a beacon of faith,
of hope, and of light in the landscape of Minneapolis. That became so
clear on September 11. That day I was in the church doing my usual things
and my cell phone rang, I had forgotten to turn if off. It was my father
calling from Belgium and he said 'Have you been watching the news?' I
said 'No, I'm in the church'. And he said you'd better go and turn on
CNN and watch what's going on. So I did. And as I stood there amazed with
my colleagues, the telephone started to ring. Hundreds of calls. There
were some people we could recognize as parishioners but many weren't.
By 10.30 am we had decided we had to have a prayer service. It was on
news by 11 o'clock and we did do a prayer service. As I walked into the
church, it was an inter-faith service, I recognized people from the back.
There were many backs I did not recognize. There were people wearing the
yamakah __________, there were people there who were wearing the traditional
Muslim dress, there were some Tibetan monks in their saffron robes. This
place has become a beacon not for Catholicism but it has become a beacon
of faith, hope, love, peace, justice; where people can come whatever state
they're in. That became very clear on that dramatic day, but I think it's
the case every day to a lesser extent. Why people come here, why young
people come here, is probably for those reasons. Because this is a beacon
of something else. It's a beacon that goes beyond one denominational structure.
Although of course obviously we are a Roman Catholic cathedral church.
Rather than limiting us I think it opens us up to many more possibilities.
FF: It seems that
in liturgy and in what you do are unashamedly Roman Catholic. Do you think
that, in its own way, has an intrinsic appeal to young adults?
For one thing, I think good ecumenism relies, is built upon honesty about
one's own identity. Not only this, but honesty. I think often we are tempted
to be self-effacing and almost apologetic about who we are in our faith
tradition, thinking that that will allow us to be, but we get to a common
denominator which ends up being nothing. I think it's wonderful to be
unashamedly Catholic. However, at the same time, we embrace those who
are unashamedly Lutheran or unashamedly Muslim or Jewish or Buddhist,
and welcoming them with open arms and treating them as equals. One of
our mottos is that we are traditional church with a modern message, and
I think that is very appealing to young people as well. Because at the
same time I think young people and people in general are attracted to
something traditional. We don't, at this point in time, need novelties.
In the '60s the Roman Catholic Church had this hunger for new things,
which was what we needed at the time. But luckily we have passed that
now and are happy with traditional things, things that stabilize us, but
not a tradition that stifles us. Rather, a tradition which gives us a
basis on which to think anew, broader, wider. What I also wanted to say
about that, about this building, is that after the liturgy was over on
September 11, some of the television stations asked questions about why
do you think people come here. I have this image about how this building
is two things at once - it is a strong building, and gives people feeling
of strength. A mighty fortress is our God, an architectural form of it.
But then once you are inside there are the warm embraces of the liturgy,
of the candlelight, of the soft lines of the building. So it's both strong
and welcoming and embracing. And I think, not only is that the case with
the building, but it is the case with what we are trying to be as a community
as well. Offer strength. Our pastor was in New York when all of this happened,
and so we were having a meeting with the senior staff. People were saying
'What do we do?' Well, we do what we do best. We get out our prayer books
and we pray, we educate people and we offer people strength in this time
of need.
FF: I noticed when
I came to worship that there were a lot of people assisting, your communion
assistants were many and of varying ages. The same for readers or lectors.
Father Michael said he would never have guessed that he'd have a 6th grade
kid reading out of the lectern but he did and it was good. How do you
work that with the volunteers?
Continue to Johan Part 2
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